The first painting in the series painted by Vicente Alban is entitled Yapanga de Quito, which may be translated as Mestiza or Chola of Quito. Like the others in the series, this painting is oil on canvas, measuring 109 × 80 cm. Here, Albán represents a yapanga surrounded by trees and fruits, with a numbered reference and brief description of each. In the lower left-hand corner, Alban paints a strawberry plant with a caption that reads: ‘Arvolito que produce las Frutillas y son una especie de Fresas como las de España, pero mucho más gruesas y dulces’ (‘Shrub that produces the Frutilla strawberry which is like the Fresa strawberries of Spain, only fatter and sweeter’). The strawberry plant is painted with detail, including the fruits, flowers and runners with their sterile and productive knots –a skilled demonstration of local botanical knowledge.
Mestiza with Strawberry
Elisa and Ana Sevilla
Further reading
- Sevilla, A., and E. Sevilla (2018) ‘Semillas andinas, invernaderos escoceses y herbarios londinenses en la red de Charles Darwin’, in Darwin y el darwinismo desde el sur del sur, edited by M. Miranda, G. Vallejo, R. Ruiz, and M.Á. Puig Samper, 257–76 (Madrid: Doce Calles).
- Finn, C.E.E., J.B. Retamales, G.A. Lobos, and J.F. Hancock (2013) ‘The Chilean strawberry (Fragaria chiloensis): over 1000 years of domestication’, HortScience, 48 (4): 418–21.
- Darrow, G.M. (1966) The Strawberry (New York, NY: Holt, Rinehart and Winston).
- Wohletz, S. (2017) ‘Strange fruit: Vicente Albán’s Quito Series and local ways of seeing in the era of colonial enlightenment’, in La Península Ibérica, El Caribe y América Latina: diálogos a través del comercio, la ciencia y la técnica (siglos XIX–XX), edited by A. de Abreu Xavier (Évora: Publicacoes do Cidehus), https://doi. org/10.4000/books.cidehus.2929.
- Stratton, S., and J. de Bustamante (2012) The Art of Painting in Colonial Quito – El arte de la pintura en Quito colonial (Philadelphia, PA: Saint Joseph’s University Press).