{"id":1426,"date":"2021-06-19T10:31:09","date_gmt":"2021-06-19T09:31:09","guid":{"rendered":"https:\/\/flacso.edu.ec\/laglobal\/?p=1426"},"modified":"2022-05-16T15:43:38","modified_gmt":"2022-05-16T14:43:38","slug":"black-cocktail-dress-for-balenciaga","status":"publish","type":"post","link":"https:\/\/flacso.edu.ec\/laglobal\/cabinet\/artificialia\/black-cocktail-dress-for-balenciaga\/","title":{"rendered":"Black Cocktail Dress for Balenciaga"},"content":{"rendered":"<p>After fleeing the Spanish Civil War in 1936, Basque designer Crist\u00f3bal Balenciaga began a fashion house in Paris. There, his love for the \u2018monastic and austere aesthetics characteristic of Catholic convents\u2019 merged with French haute couture standards. Balenciaga\u2019s fashion house pivotally influenced Chanel, Hubert de Givenchy, Christian Dior, and many celebrities, including Audrey Hepburn. Balenciaga thus helped reinvent (Spanish) black as modern aristocratic women\u2019s couture hue of choice. In 2019, curator Eloy Mart\u00ednez de la Pera dazzled audiences in Madrid\u2019s Thyssen-Bornemisza National Museum with an exhibition explicitly demonstrating the link between Balenciaga\u2019s epoch-making designs and 16th-century Habsburg court fashions.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>After fleeing the Spanish Civil War in 1936, Basque designer Crist\u00f3bal Balenciaga began a fashion house in Paris. There, his love for the \u2018monastic and austere aesthetics characteristic of Catholic convents\u2019 merged with French haute couture standards. Balenciaga\u2019s fashion house pivotally influenced Chanel, Hubert de Givenchy, Christian Dior, and many celebrities, including Audrey Hepburn. Balenciaga [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":2936,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[20],"tags":[24],"class_list":["post-1426","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artificialia","tag-black"],"acf":[],"_links":{"self":[{"href":"https:\/\/flacso.edu.ec\/laglobal\/wp-json\/wp\/v2\/posts\/1426","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/flacso.edu.ec\/laglobal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/flacso.edu.ec\/laglobal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/flacso.edu.ec\/laglobal\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/flacso.edu.ec\/laglobal\/wp-json\/wp\/v2\/comments?post=1426"}],"version-history":[{"count":2,"href":"https:\/\/flacso.edu.ec\/laglobal\/wp-json\/wp\/v2\/posts\/1426\/revisions"}],"predecessor-version":[{"id":3975,"href":"https:\/\/flacso.edu.ec\/laglobal\/wp-json\/wp\/v2\/posts\/1426\/revisions\/3975"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/flacso.edu.ec\/laglobal\/wp-json\/wp\/v2\/media\/2936"}],"wp:attachment":[{"href":"https:\/\/flacso.edu.ec\/laglobal\/wp-json\/wp\/v2\/media?parent=1426"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/flacso.edu.ec\/laglobal\/wp-json\/wp\/v2\/categories?post=1426"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/flacso.edu.ec\/laglobal\/wp-json\/wp\/v2\/tags?post=1426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}